Reviews

Blues Revue

Patrick Vining: Released (JSPCD2124)

Though still a youngster in the retro blues game, big-throated vocalist Patrick Vining comes armed with a warm and determined voice. With Jimmy Morello producing and former members of the James Harman band providing backup, this singer rarely works outside the style of soulful 1950s jump-style blues.

Each of the 11 originals is arranged to spotlight the talent and experience of all members of this band. Tom Mahon supplies bright piano comebacks, while the guitar chores are shared by newcomer Kirk Fletcher — Junior Watson's current student in the stylings of West Coast guitar — and John Marx, whose tuned-in understanding of dynamics grounds the record in consistency. Jonny Viau's massive volleys of tenor sax recall the days of horn-based bands propelling dancers around the floor. Viau honks, growls and coos throughout the disc; at other times, he becomes part of the horn ensemble completed by baritone player Troy Jennings.

The songs range from "Put the Blame on Me," a piano-and-guitar rocker that could be a Smokin' Joe Kubek tune, to the sing-along shuffle "Thank You Baby." The band uncovers a New Orleans / Fats Domino R&B style on "Looking for Mercy," lights a candle in an after-hours club on "Lonesome Blues," offers a piano boogie on "Give It Everything You've Got" and stands on the big band stage on opener "She's So Nice."

In a time when other bands are becoming swing stars overnight, Vining has assembled a mature band that lets its own savvy dictate the music. Released holds up play after play.

—Art Tipaldi

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